Indian-born, San Jose-based Aki Kumar, aka "The Only Bombay Blues Man," left his home in Mumbai with the intention of working as a software engineer in Silicon Valley. Then he discovered the blues, and his life dramatically changed. With his Little Village Foundation debut, Aki Goes to Bollywood, he began integrating elements of Indian music into his musical and visual presentation, making for a multi-cultural mash-up that sounds like no one else, yet never loses touch with its blues foundation. Kumar’s follow-up album, Hindi Man Blues, boasts his most ambitious cross-cultural fusion to date, and features liner notes by veteran blues great Charlie Musselwhite. Kumar has performed at Hardly Strictly Bluegrass festival, has been featured on PRI “The World,” and has toured in Russia and Scandinavia.
Indian-born, San Jose-based Aki Kumar, aka “The Only Bombay Blues Man,” left his home in Mumbai with the intention of working as a software engineer in Silicon Valley. Then he discovered the blues, and his life dramatically changed. Singing and playing harmonica, he steeped himself in the music and became a fixture in blues clubs throughout Northern California,where he developed an unique, audacious blend of Chicago-style blues which then led to playing retro Bollywood pop mixed with the blues.
When he began performing, Kumar initially attempted to downplay his ethnicity and perform straight, Chicago-style blues. “I wanted to make a statement that I was a traditional blues man, so I wanted to be playing blues and have nobody even wonder where I came from.” His attitude soon changed, and with his Little Village Foundation debut, Aki Goes to Bollywood, he began integrating elements of Indian music into his musical and visual presentation, making for a multi-cultural mash-up that sounds like no one else, yet never loses touch with its blues foundation. That unique blend of East and West reaches a new creative plateau on Aki’s second Little Village Foundation album, Hindi Man Blues, which boasts Aki’s most ambitious cross-cultural fusion to date, and features liner notes by veteran blues great Charlie Musselwhite.
“My first album was really about my identity,” the artist states. “Now I feel it is time to be more direct about what’s happening out there in the world. The blues scene is my home, and the scene can be pretty conservative, but I want people to know where I stand. There’s a good amount of focus on Bollywood classics on the new album, and I even throw in a song about President Trump called ‘All Bark No Bite.’ The production and arrangements are tighter this time around. ‘Yoh Surmayi Shaam’ has lyrics that my mom wrote and sings, she turned 75 this year and it’s a really nice way to represent her musical contribution to my life. We also do a version of Herbie Hancock’s ‘Watermelon Man.’
”Kumar’s visionary stylistic mix has already won him widespread attention. In addition to the local blues venues, where he’s built an enthusiastic audience, he’s performed at the prestigious Hardly Strictly Bluegrass festival, been featured on PRI “The World,” and has toured in Russia and Scandinavia. Now, after spending more than a decade developing his sound with the help of some of the Bay Area’s finest blues players, Aki Kumar continues to take his love for the blues to new and fascinating place.
“In a musical sense, this album is the direction that my career is heading towards. I’m never going to be a straightahead blues artist. I worked really hard to establish some blues credibility, and now I’m seeing that blues fans are really accepting of my new direction. It’s a pretty interesting adventure.”
"...breathtaking..."- Living Blues Magazine
"Check it out. I wouldn't steer you wrong." - Charlie Musselwhite
"Kumar is on the cutting-edge of blues today."- Michael Kinsman, San Diego Blues Festival
"FOUR STARS...the integrity of his music marks the difference between novelty and substance" - Downbeat Magazine
"speaks to the height of creativiy and fearlessness" - David Mac / Blues Junction
"... leaps off that bridge into the unknown, and I love the heck out of it"
An unprecedented mashup of Retro Bollywood Music & American Blues
Though some instrumental albums and DJs have attempted to rearrange Bollywood music mixed with other genres, never before has an Indian blues musician so triumphantly recorded songs by the film industry’s biggest stars such as Mohammad Rafi, Kishore Kumar, R.D. Burman, and S.D. Burman. Aki Kumar notes, “I realized that many of the Indian songs I loved had, in fact, been influenced by American blues music and I wanted to bring them together.” Aki Goes To Bollywood blends sitars with Delta blues jams, Hindi vocals with ferocious harp playing. Aki has single-handedly created Mumbai Meets Muddy, his own blues movement. For the album’s cover, Aki emulates his childhood hero and mega-star, Amitabh Bachchan.
"Really really really hot stuff... it is a barn burner."
Elwood Blues aka Dan Aykroyd, TheBluesMobile.com
"Aki Kumar has combined the two disparate genres in an unforced musical fusion never before attempted and has pulled it off with breathtaking aplomb."
Lee Hildebrand, Living Blues Magazine
"This isn’t so much east meets west. It is east smashes into west (or visa versa) on a muddy road somewhere in Mississippi or Calcutta… represents the height of creativity and fearlessness..."
David Mac, Blues Junction Productions
"...the songs find a great balance between the styles, the best featuring stinging guitar lines, roiling piano, hard-four beats and Kumar’s blowzy harp fitting perfectly with the buoyant froth of some classic Bollywood production numbers...It’s Chicago deep-dish pizza — masala style."
Take Two, Tuesday Reviewsday, KPCC 89.3FM